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The contribution by Halasz was a square-shaped metal frame outdoors, with colourful strips of canvas stretched across it, forming a two-dimensional sculpture in the chapels courtyard.
By reducing the structure of a hunters high-Stand geometrically, the piece apparently investigated issues concerning the relation of geometry and nature. In that specific environment, however, the composition, through the junction of its vertical, horizontal and diagonal lines, created such sense of insecurity and tension that endowed the work with the ontologically depressing atmosphere of the era.
Alluding to Kassaks image architecture, not only did Halasz pay tribute to the constructivist heritage but he also reflected the modern endeavours of constructivism, which were gaining ground in contemporary Hungarian painting through the works of Imre Bak and Istvan Nadler.